Khairul azril ismail. tS., PhD.

Practitioner Academic educator

“I travel around as much as I can, catching the world as ephemeral and see it beyond just ... dull and not as is”.

introduction

A practitioner in photo-historical processes and academic, Azril’s work has been exploratory in which he is  referred to as a Practising Archeologist in this area.

He has been a practitioner and continuing student of the early arts of 19th Century Photographic Processes since 2012, particularly on the daguerreotype, the wet plate Collodion process; and the appropriated salt, albumen, and platinum printing.

Dr. K. Azril Ismail holds a Doctorate in Philosophy from the University of Plymouth, U.K., for his visual photographic studies of Pudu Jail's graffiti. At present, his works had finally had began to push towards unexpected convergence of the two fields which further motivated to pursue the craft.

education

PhD, Faculty of Art, University of Plymouth, 2010 – 2015

Area of Expertise: Prison Graffiti Studies, Malaysian Visual & Vernacular Culture (Arts & Social Science) Other area of Research: 19th Century Photographic Processes

Supervisors:

Prof Dr Daniel Maudlin (Vernacular Culture)

Prof Malcolm Miles (Visual Culture Subject Matter Expert)

Dr Sarah Bennet (Practitioner on Wall Arts)

General Teaching Assistant Certification, Plymouth University, 2011

MA, Faculty of Art, University Technology MARA (UiTM) Malaysia, 2002-2005

Area of Research: Prison Graffiti Studies, Photographic Documentation Methodology Collaborative Research: Textile Material Studies on Ceiba Patendra (Kapok tree)

BFA, Media Studies (Photography), Columbus College of Art & Design, 1997-2001,

Area of Studies: Media Studies, Still Based (Photography)

Current endeavours

DEPUTY RECTOR (ACADEMIC AFFAIRS)

INTERIM RECTOR (March - June 2024)

National Academy of Arts, Heritage and Culture (ASWARA)

Nov 2022 - Present.

Significant Contributions:

Internationalisation of ASWARA

Licensing from Kementerian Dalam Negeri (KDN) / Ministry of Home Affairs, & Development for MOTAC’s policy as the ‘Agensi Kawal Selia’,

ASWARA’s International Students Management Office & Mobility Programmes (Short Courses) for the with EMGS for international students

Industry-Academy linkage

Faber-Castell Malaysia, UiTM, University Malaya, Institut Seni Indonesia (Aceh and Denpasar, Bali), University Multimedia Nusantara, Indonesia, Universiti Esa-Unggul, Jakarta

In-Progress:

Development of the document fo the guidelines for ‘Non-Traditional Research Output’ (NTRO) for MYRA with UPM, UM, USM, UPSI, Swinburne University, UMN Jakarta, Indonesia

past endeavours

RESEARCH FELLOW

Taylor’s University, Malaysia Oct 2021-2023 (P/T)

SENIOR ADJUNCT LECTURER

De Institute of Creative Arts & Design, UCSI University, Kuala Lumpur Oct 2021-Dec 2021 (Contract).

DIRECTOR, (ASSISTANT PROFESSOR)

De Institute of Creative Arts & Design, UCSI University, Kuala Lumpur 2019-2021.

ASSISTANT PROFESSOR; HEAD OF POSTGRADUATE RESEARCH & DEVELOPMENT

De Institute of Creative Arts & Design, UCSI University, Kuala Lumpur 2018-Present.

ASSOCIATE LECTURER / DEMONSTRATOR

Plymouth University 2015 - 2016.

DESIGN MANUFACTURING WORKSHOP MANAGER

Brunel Laboratories, Plymouth University, 2015-16.

SENIOR LECTURER

University Technology MARA (UiTM), Faculty of Art & Design, Media Studies, Malaysia, 2007 - 2010

LECTURER

Limkokwing Institute of Creative Technology University, Cyberjaya, Malaysia, 2005 – 2007

membership

Malaysian Board of Technologist (MBoT); Professional Technologist (Ts.), 2020-Present

(PT20110365) Art Design & Creative Multimedia Technology (AM)

Malaysian Board of Technologist (MBoT); Graduate Technologist,

(GT19070241) Art Design & Creative Multimedia Technology (AM), 2019 - Present

Majlis Rekabentuk Malaysia (MRM), 2020-Present (Member: 1-E-000739-2020)

British Institute of Professional Photography (Member 2011)

exhibitions

1. ‘Bali Global Arts Map Exhibition’, Institut Seni Indonesia Denpasar, Komuneka Gallery, Bali, Indonesia, Selected Works, Oct 2024.

2. ’Rong Rupa Rakta’ Festival Kesenian Indonesia, Bali, Selected Works, 2023.

3. ‘Outsider-In’, Pameran Menjangkau 100-tahun Penjara, Muzium Penjara, Melaka, 2022.

4. ’Semangat Redang’: Collaborative Performance with Aida Redza (Performing Artist) for the ‘Re- Opening’ of the Malaysian National Art Gallery, 21st June 2022.

5. ’Ssega Angin’; Collaborative Project with Dr Kamal Sabran (USM, Sound Artist), Aida Redza (Performing Artist) & Muhd Sany (Performing Artist) for the Pera + Flora + Fauna Exhibition for the Venice Biennale by PORT Perak; by appointed lead curators Amir Zainorin and Khaled Ramadan. Archivi della Misericordia, Venezia, Italy, 2022.

6. ALANGKAH: An A Virtual Realm of Awe, the ArtScience virtual exhibition, ASM & Maybank Foundation, 2021.

Read more on Maybank Foundation

7. AICAD Exhibition: International Virtual Art Exhibition (IVAE); ‘Before and Aeer’, Selected Work, Dec. 2020.

Read more on ArtSpaces

8. ’The Invisible Future, Facing the Visible Past: Malaysian Photography Culture and Photobooks’, Selected Published Works, Lightbox Photography Gallery, Taipei, Taiwan, 2020

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9. ’ASM Artscience’, Shortlisted Selected Works, Academy Science Malaysia, MATRADE, Kuala Lumpur, 2020-2021.

Read more on Akademi Sains

10. ‘Bayangnya itu Timbul & Tenggelam: Photographic Cultures in Malaysia’,

Co-Curator, Ilham Gallery, Kuala Lumpur 2020-2021

Virtual Tour available by the Gallery

Captured Heirlooms, The Edge, Options Section, pg. 13

Read more on:

The Edge

The Vibes

The Star

Ilham Gallery

The Star (opening coverage)

The Star (coverage on the gallery)

MalaysiaKini

PressReader

11. ‘FASA 2019’, Selected Works, UiTM Puncak Alam, 2019.

Read more on Malaysia Gazette

12. ‘Experiencing Pudu Jail’s Graffti’, Solo Exhibition, Badan Warisan Malaysia, Kuala Lumpur 2018-19.

Read more on Vision KL

Read more on Malaysia Gazette

Read more on The Star

Read more on PressReader

13. ‘Kuala Lumpur Biennale’, Selected Works, The Malaysian Art Gallery, 2017-18.

Read more on Art KL-itique

14. ‘Thirty Pieces of Silver’, Solo Exhibition, Weiling Gallery, 2017

Read more on ArtHop

Read more on ExploreNation

15. ‘For those who believe, no proof is necessary; For those who don’t believe, no proof is possible.’ Selected Work, Curated by Ivan Lam, hosted by Weiling Gallery, South East Asia Forum, Art Stage Singapore, 2017.

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16. ‘Wayang U-Wei ‘Hanyut’: Merentasi Saksi’, Selected Works, Petronas Galeri, Kuala Lumpur, 2016-17.

17. ‘The Past Is Never Where You Think You See It’, Selected Works, Weiling Contemporary Gallery, 2016

Read more on WeiLing Gallery

18. ‘Narrative in Malaysian Arts, Volume 2’, Selected Works, Published by Rogue Art, 2013.

19. ‘Image-Objects’, Apparatus & Tools for Contemporary Daguerreotype, New York, 2013

Read more on ImageObject

20. ‘Timeless’, Publication, Selected Works, Published by Wei Ling Gallery 2012.

21. International Orange Photography Festival, Contemporary Photography from South East Asia, Changsha, Hunan Province, China, Selected Works, 2010.

Read more on China Daily

22. ‘FASA 2010’, Curatorial Works, Shah Alam Gallery, 2010

23. ‘Eyes Wide Open’, Selected Works, Annexe Gallery, 2009

24. ‘Different but Same’ Exhibition, Selected Works, Wei Ling Gallery, 2009

Read more on WeiLing Gallery

25. ‘The Malaysian Exhibition’, Selected work; Higashikawa Museum, Hokkaido, Japan, Tokyo Month of Photography 2009, Selected Works, Tokyo Metropolitan Museum 2009.

26. ’New Wave of Responsive Images’, Selected Works, Istanbul 2009.

Read more on Sabanci University

27. ‘Last Voices of the Pudu Jail’, Bastion House, Malacca Museum, 2009.

28. ‘CUT’09’ Valentine Willie Fine Art Gallery, selected works, KL, Singapore, & Manila 2009.

29. ‘Project IDOM: The Next Stop’, 360 Art Development Studio, KL 2009.

30. ‘Iron Dragons of Malaya’; Project Exhibition, KL Performing Arts Center, 2009.

31. ‘The Year That Was...’, Selected Works, Wei Ling Gallery, KL 2008.

32. Singapore International Photography Festival 2008, Selected works, ‘Pudu Jail’s Graffti: Aesthetics Beyond the Prison Cells’. 2902 Gallery & National Museum of Singapore

Travelling Exhibition: Singapore, Kuala Lumpur, Bangkok & Manila, 2008-2009.

Read more on Singapore International Photo Festival

33. ‘Diversity: B+W Festival’, Selected Works, Annexe Gallery, Kuala Lumpur, 2008.

34. ‘Working Title’ Selected Works, Petronas Gallery, Kuala Lumpur 2008.

Read more on KamiBergerakSatu

35. ‘Live animals inside!’, Solo Exhibition, Weiling Gallery, Kuala Lumpur 2008

Read more on WeiLing Gallery

publications

1. Ismail, K., ‘Silver Eye of Singapore: The early photography accounts in the Hikayat Abdullah’, The International Arts, Culture & heritage (iJACH), Vol 11/2024 DOI: tbc

2. Ismail , K. & Abden, A. A., ‘Navigating the Abyss: Artworks Born from Turbulent Minds, Depression, and Aspirations by the Patterns of the Sea’, Festival Seni Kebudayaan Indonesia XII, Institut Seni Indonesia Denpasar, Bali 2024.

3. Lin, Rouwen & Ismail, K. Azril, ‘Malaysian photographer tours in an ambulance he turned into a darkroom’; interview article by Rouwen Lin. The Star 3rd April 2022

Read more on The Star

4. Ismail, K. A., ‘Practising the 19th Century Photo-historical processes in the 21st Century’, SUIC 1st International Online Conference (Webinar) on Art and Design 2020, Silpakorn University.

Read more on SUIC

5. ’Bayangnya itu Timbul Tenggelam: Photographic Cultures in Malaysia’, Ilham Foundation, Oct 2020

ISBN: 978-967-16856-4-8

6. MQA Programme Standard Art & Design 2nd Ed. (Edisi Kedua) Standard Program Seni Lukis dan Seni Reka

Read more on MQA

7. Ismail, K.A. & Yoliando, F.T., ‘Initiative for Dyslexia Augmented Reality Campaign Awareness’, United Nations Sustainable Development Sustainable Partnership #SDGAction34482, April 2020

Read more on UNDP

8. ‘Training Towards Photographic Conservation & Preservation’, CERVIE Newsletter issue no.2, August 2020

Read more on UCSI

9. ‘Exhibition Review: Rediscovering Forgotten Thai Master of Photography’, SENIKINI: Artnomics Issue #27, Balai Seni Negara, 2019, pp.34-35, ISSN1985-7233.

Read more on ISSUU

10. ‘Iron Dragons of Malaya’, Berandaseni Art Studio & Galeri Petronas, 2008, ISBN 978-983-44408-0-0

11. Proceedings of The 14th International Symposium on Electronic Art (ISEA), ‘Pudu Jail’s Graffti: Aesthetics Beyond the Walls of the Prison Cells’, 25 July – 3 August 2008, ISEA2008 Pte Ltd, pp. 248-250. ISBN: 978-981-08-0768-9

Read more on ISEA